\r\n\u201cI don\u2019t think there\u2019s anything on this planet that more trumpets life that the sunflower. For me that\u2019s because of the reason behind its name. Not because it looks like the sun but because it follows the sun. During the course of the day, the head tracks the journey of the sun across the sky. A satellite dish for sunshine. Wherever light is, no matter how weak, these flowers will find it. And that\u2019s such an admirable thing. And such a lesson in life.\u201d <\/em>-John \u2013 Calendar Girls<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\nAdapted by Tim Firth from the film of the same name, Calendar Girls is based on the true story of WI members who posed nude for an \u201calternative\u201d calendar and has since become the fastest selling play in British theatre history.<\/p>\r\n\r\n\r\n\r\n
Middle aged Chris Harper and Annie Clarke are best friends. They spend much of their time at their local chapter of the Women\u2019s Institute (WI), whose motto is \u201cenlightenment, fun, and friendship\u201d<\/em>. Although they like most of the women at the WI (the friendship part), they find much of what goes on there, especially the monthly presentations, devoid of enlightenment and fun. Equally as banal as last year\u2019s fund-raising calendar, featuring local bridges, is this year\u2019s proposed calendar, local churches.<\/p>\r\n\r\n\r\n\r\nAfter Annie\u2019s husband John passes away from leukemia, Chris wants the WI to provide a memorial in his memory: a new sofa for the family room at the hospital. Chris proposes to raise the money by changing the fund-raising calendar to one featuring tasteful photographs of nude WI members.<\/p>\r\n\r\n\r\n\r\n
Annie likes the idea as it is analogous to one of horticultural-loving John\u2019s last statements where he said that \u201cthe flowers of Yorkshire are like the women of Yorkshire\u201d<\/em><\/strong>, and \u201cthe last phase of the women of Yorkshire is always the most glorious\u201d<\/em><\/strong><\/p>\r\n\r\n\r\n\r\nThe women, who are eminently respectable and of a certain age, overcome their initial reserve, and drop their dressing gowns. Their modesty is artfully spared only in that each woman is posing behind a different task that the Women\u2019s Institute teaches their members, such as making bread rolls, knitting, planting flowers, and playing the piano.<\/p>\r\n\r\n\r\n\r\n
Puzzling their husbands, mortifying their children and riding the wrath of the outraged WI, the Calendar Girls spark a global phenomenon and enjoy tremendous success. But as media interest snowballs, the women find themselves exposed in ways they\u2019d never expected, revealing more than they\u2019d ever planned.<\/p>\r\n\r\n\r\n\r\n
A note about nudity:<\/p>\r\n\r\n\r\n\r\n
Our Calendar Girls will strip down under the cover of props and other actors.\u00a0 Nothing will be seen, unless we\u2019ve failed.\u00a0 If we do it right, the choreography will be best described as \u2018fabulous<\/em>\u00a0concealment\u2019<\/em>\u00a0.. and we intend to do it right.<\/p>\r\n\r\n\r\n\r\nSisterhood, Doing Something Brave, Being Real<\/h5>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n
\r\n
Cast and Production Team<\/strong><\/h3>\r\n\r\n\r\n\r\nCAST<\/h5>\r\n\r\n\r\n\r\n
Cora\u2026\u2026\u2026\u2026\u2026\u2026………… Judy McLellan
Chris\u2026\u2026\u2026\u2026\u2026\u2026………… Rebecca Walters
Annie\u2026\u2026\u2026\u2026……..\u2026\u2026.. Peg Keenleyside
Jessie\u2026\u2026\u2026\u2026\u2026………\u2026.. Joan Koebel
Celia\u2026\u2026\u2026\u2026……….\u2026\u2026.. Yasmin Tayob
Ruth\u2026\u2026\u2026\u2026\u2026\u2026…………. Helen Martin
Marie\u2026\u2026\u2026\u2026\u2026………\u2026.. Rhona Lichtenwald
Brenda Hulse\u2026\u2026\u2026.\u2026.. Christine Egerton Ball
John\u2026\u2026\u2026\u2026\u2026\u2026………….. David Wallace
Rod\u2026\u2026\u2026\u2026\u2026\u2026……………. Daryl Hutchings
Lady Cravenshire\u2026\u2026\u2026 Christine Egerton Ball
Lawrence\u2026\u2026\u2026\u2026\u2026…\u2026.. Adrian Maxwell
Elaine\u2026\u2026\u2026\u2026\u2026……….\u2026.. Nicole Park
Liam\u2026\u2026\u2026\u2026\u2026\u2026………….. Adrian Maxwell<\/p>\r\n\r\n\r\n\r\n
PRODUCTION TEAM<\/h5>\r\n\r\n\r\n\r\n
Director\u2026\u2026\u2026\u2026\u2026\u2026………… Alison Schamberger
Production Manager\u2026…. Val Bingley
Stage Manager\u2026\u2026\u2026\u2026\u2026.. Al Zylstra
Props ASM\u2026\u2026\u2026\u2026\u2026…..\u2026.. Colleen Shook
Rehearsal Properties…..\u2026 Gwen Palmer & Deborah Watts
Set Designer\u2026\u2026\u2026\u2026\u2026\u2026…. R. Todd Parker
Head Carpenter\u2026\u2026..\u2026\u2026.. Robin Richardson
Carpenter\u2026\u2026\u2026\u2026\u2026\u2026……… Jamie Horsley
Costume Design\/Coordinator\u2026. Rene Schindel
Costume Assistant\u2026\u2026\u2026.. Val Palosaari
Costume Assistant\u2026\u2026….. Christine Egerton Ball
Hair & Make-up\u2026\u2026\u2026\u2026… Rob Walters
Sound Design\u2026\u2026\u2026\u2026\u2026…. Alison Schamberger
Lighting Design\u2026\u2026\u2026\u2026…. Les Erskine
Scenic Painter\/Design\u2026. Tracy Lynn Chernaske
Wardrobe Manager\u2026\u2026.. Sean Ullman
Tech Director\u2026\u2026\u2026\u2026\u2026\u2026.. Jamie Horsley
General Manager\u2026\u2026\u2026…. Les Erskine
Photographer\u2026\u2026………….. Tracy Lynn Chernaske<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
\r\n
\r\n
Reviews & Being Said<\/strong><\/strong><\/h3>\r\n\r\n\r\n\r\nThe Voice: Calendar Girls On Stage At Metro Theatre<\/h5>\r\n\r\n\r\n\r\n
Reported by Lisa Tanh, October 25th, 2017<\/p>\r\n\r\n\r\n\r\n
\u201cI think that in recent years, we\u2019ve seen a lot of movement in writing where women are empowering themselves to make the changes they want to see in the world\u201d<\/em><\/p>\r\n\r\n\r\n\r\nJewish Independent: Calendar Girls now at Metro<\/h5>\r\n\r\n\r\n\r\n
Reported by Olga Livshin, Friday 03rd, November 2017<\/p>\r\n\r\n\r\n\r\n
\u201cThe actors playing the calendar girls are on stage almost the entire length of the play. Their monologues and sharp banter are in turn sad or funny, poignant or irreverent. They take the audience on an emotional journey. Each of the six shines in her unique way.\u201d<\/em><\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n
\r\n
Director\u2019s TALK<\/strong><\/strong><\/h3>\r\n\r\n\r\n\r\n Alison Schamberger received her early training and education in Scotland while at school and university in Edinburgh. For 38 years she was a drama and english teacher, for 30 years at Burnaby North Secondary School where she directed countless plays and musicals.<\/p>\r\n\r\n\r\n\r\n
On her retirement from teaching in 2005, she began directing at Metro Theatre. Highlights include Anything Goes, Oscar and Felix, Fawlty Towers<\/strong> and, most recently Crossing Delancey.<\/strong><\/p>\r\n\r\n\r\n\r\n\u2022Alison did a brief explanation on \u2013\u00a0 How growing up in the UK and having family in Yorkshire helped\u00a0her direct this play.<\/p>\r\n\r\n\r\n\r\n
\u2022 Discussed the\u00a0hazards of directing a play featuring middle-aged women and nudity!<\/p>\r\n\r\n\r\n\r\n
\u2022 The cast of Calendar Girls\u00a0talked about working on essentially a comedic play that has many serious themes such as courage, friendship, loss and forgiveness.<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"
Calendar Girls – The Show and it\u2019s Performances FAST FACTS: SHOW TIMES: Evening Performances at 8 pm: Thursday to Saturday\u00a0Matinee Performances at 2 pm: Nov 5th & Nov 18th SHOW RUN: Oct 28 to Nov 18, 2017 LOCATION: 1370 SW Marine Drive, Vancouver, BC. Next to the on-ramp to the Arthur Lang Bridge by Marine […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/pages\/1007145"}],"collection":[{"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/comments?post=1007145"}],"version-history":[{"count":1,"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/pages\/1007145\/revisions"}],"predecessor-version":[{"id":1019191,"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/pages\/1007145\/revisions\/1019191"}],"wp:attachment":[{"href":"https:\/\/metrotheatre.com\/wp-json\/wp\/v2\/media?parent=1007145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}