Auditions
Auditions
We have now scheduled auditions for two upcoming shows at Metro Theatre, see below for further details.
A TRADITIONAL BRITISH PANTOMIME
Directed by SHEL PIERCY | Choreographed by SHELLEY STEWART HUNT | Musically Directed by CARLINA DYKSTRA Produced by JO SEARS
AUDITION NOTICE
Metro Theatre Vancouver
Metro Theatre is a not-for-profit organization powered by a passionate community of volunteers. While our productions welcome thousands of enthusiastic audience members each season, we rely almost entirely on ticket sales and community support to bring them to life—without significant government funding.
Each show is a collaborative effort, made possible by dedicated individuals who contribute on stage, behind the scenes, and in front-of-house roles. Whether you’re looking to grow as a performer, gain experience in a professional rehearsal environment, or simply be part of something creative and rewarding, we welcome you.
We encourage submissions from performers of all backgrounds—emerging artists, theatre students, and experienced community members alike. A limited number of Canadian Actors’ Equity members may be engaged under DOT Tier Two contracts. All participants receive an honorarium in recognition of their time and talent.
By joining us, you’ll be part of a supportive, driven team creating high-quality theatre together.
| LOCATION | Metro Theatre, 1370 SW Marine Drive, Vancouver, BC V6P 5Z9
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| PERFORMANCE DATES | December 4th, 2026, to January 3rd, 2027 (27 performances). Please see Metro’s Box Office page for the actual dates and times of the performances.
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AUDITION TIMES AND DATES
| July 18: 10:00 AM to 6:00 PM July 22: 4:00 PM to 9:00 PM |
AUDITIONS HELD AT
Renegade Office and Studios
8877 Selkirk St
Vancouver, BC
REHEARSAL SCHEDULE
| Beginning Saturday October 24: | Monday, Tuesday, Wednesday 6:00PM to 10:00PM (one hour meal break) Saturday and Sunday 10:00AM to 6:00PM |
| Last day in the rehearsal hall: | Sunday November 22 |
| Sitzprobe: | Wednesday November 25 |
| Q to Q | Thursday November 26 Friday November 27 Saturday November 28 |
| Tech Runs | Sunday November 29 |
| DAY OFF | Monday November 30 |
| Tech Runs | Tuesday December 1 Wednesday December 2 |
| Dress Rehearsal | Thursday December 3 |
SHOW SCHEDULE
| MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY | SATURDAY | SUNDAY |
December 4
Opening Night 7:30 SHOW 1 | December 5
2:00 SHOW 2 7:30 SHOW 3 | December 6
2:00 SHOW 4
| ||||
December 10
7:30 SHOW 5 | December 11
7:30 SHOW 6 | December 12
2:00 SHOW 7 7:30 SHOW 8 | December 13
2:00 SHOW 9 | |||
December 17
7:30 SHOW 10 | December 18
7:30 SHOW 11 | December 19
2:00 SHOW 12 7:30 SHOW 13 | December 20
2:00 SHOW 14 7:30 SHOW 15 | |||
December 21
2:00 SHOW 16 | December 22
2:00 SHOW 17 | December 23
2:00 SHOW 18 | December 24 | December 25 | December 26
2:00 SHOW 19 | December 27
2:00 SHOW 20 |
December 28
2:00 SHOW 21 | December 29
2:00 SHOW 22 | December 30
2:00 SHOW 23 | December 31
2:00 SHOW 24 | January 1 | January 2
2:00 SHOW 25 7:30 SHOW 26 | January 3
2:00 SHOW 27 |
Rehearsal times change once the production moves into the theatre on November 25, 2026. Please note, this is a short and intense rehearsal schedule. You may not be required for every rehearsal initially, but you will be required for every rehearsal in the final 4 weeks before opening night.
You must be available for every rehearsal as the schedule may change.
CONTRACT & HONORARIUM
Members of Canadian Actors’ Equity Association will be engaged under a DOT Theatre Tier Two contract.
All non-Equity company members will receive an honorarium.
ROLES AVAILABLE
| THE ROYAL HOUSEHOLD | |
| PRINCESS AURORA | The principal girl Strong singer, good belt and strong comedic chops. Dance ability is an asset |
| KING STEFAN OF MORONICO | Older, befuddled, very, very funny. One song |
| QUEEN TUFTY WUMP OF THE HOUSE OF TUFTY | Sharp and shrewish but also very funny. One song. |
| PRINCE PHILIP | The principal boy, the love interest. Generally played by a girl Strong singer and strong comedic chops. Dance ability is an asset. |
| THE THEATRICAL TROUPE | |
| WIDOW BAR-MUM | The Dame aka THE GREAT BARMUM! The leader of the group of friends.
This role has been cast |
| THE GROUP OF FRIENDS: | A group of four friends, who along with the Dame ultimate protect Princess Aurora from the evil forces plotting against her. Each of the friends has a singular talent. More than that they are great singers, have strong physicality and big personalities. Their love for Princess Aurora will ultimately save the day. Caleb the Camel is an essential part of their group. Each is a strong singer, comfortable with harmonies. They are good with all forms of physicality including dance. They are all charming and very, very funny. |
| MINSTREL MAX | A Minstrel and a famous Lute Player. Must be able to play a guitar or ukelele. |
| JENNY JONGLEUR | A Medieval Jongleur or Juggler. The ability to juggle is an asset. |
| ELLIS ENCHANTED | A Medieval Enchanter or Magician. We really do need a magician – male or female (Ellie Enchanted). Hand magic and knowledge of bigger illusions that can be added to the show. The magic work carries a separate salary. |
| JOCULATOR JESSIE | A Medieval Dancer and Entertainer. Really, we want an amazing and acrobatic dancer. Joculator Jessie is one of Princess Aurora’s loyal protectors. |
| CALEB THE CAMEL | A camel. Yes, A camel that can tap dance. These dancers will be drawn from the Ensemble. It is essential that these performers be able to convey emotion and humour through the mask of the camel costume. Must be comfortable working in a pantomime animal costume and, most importantly, able to tap dance. Strong rhythm, energy and a fearless sense of fun are essential. |
| THE FAIRY WORLD | |
| CARABOSS | A supernatural being who appears to be a powerful and mysterious figure. Strong singing ability and the confidence to dominate every scene are essential. |
| MERRYWEATHER | The true Good Fairy whose warmth, wisdom and magic provide hope when it is needed most. This role requires a strong singer with excellent stage presence and physicality. |
| FLORA | A fairy with the very best intentions and perhaps not always the very best timing. A performer who can create lovable chaos while keeping the audience firmly on Flora’s side will thrive in this role. |
| VILLAGERS AND OTHERS | |
| ENSEMBLE – 4 WOMEN AND 4 MEN | We are seeking strong singers and dancers with excellent movement ability and physicality who are comfortable transforming into multiple roles throughout the show. Performers should be imaginative, collaborative and prepared to create distinctive and engaging characters, whether playing townspeople, magical creatures, royal attendants or unexpected comic personalities. Tap dancing is an asset. Two will have to tap dance to play Caleb the Camel. |
AUDITION REQUIREMENTS:
- Please prepare a song suitable to the character you are auditioning for, which showcases your vocal range. Traditional musical theatre songs preferred.
- Bring sheet music in your key, clearly marked. An accompanist will be provided.
- No a cappella or self-accompanied auditions, please.
- Be prepared for a movement/dance call; bring appropriate attire and footwear.
- Bring a resume which includes your name, contact information, theatrical experience, training, and any special skills or interesting facts.
- A professional headshot is not required; a clear recent photo is acceptable. Please attached this photo to your resume and bring with you to your audition.
- Ashleigh Haynes will contact you with an audition time.
- People who are asked to attend a callback will be asked to come back for a specific role and may be required to learn specific material.
- If you love comedy, this is the show for you. If you have skills such as juggling or acrobatics or magic this is the show for you. If you can play an instrument really well then this is the show for you. Please ensure this information is on your resume.
TO APPLY:
https://app.ghostlight.tech/audition/sleeping-beauty-panto
Applicants selected for an audition will be contacted with a time and further details.
Please note, you MUST be available for every rehearsal and for every performance.
DEADLINE to submit applications is Friday July 17 at 5:00 pm
ADDITIONAL INFORMATION:
- Inclusion: We encourage submissions from artists with a broad range of backgrounds, including, but not limited to, race, ethnicity, indigeneity, gender, body type, and sexuality. We encourage anyone to audition for any role, as we will be casting based on who is best for the role.
- Accessibility: Audition, rehearsal, and performance spaces are not accessible
- Video Submissions: In-person auditions are preferred. However, if you are unable to attend due to exceptional circumstances, you may request permission to submit a video audition by contacting show@metrotheatre.com.
- If you are unable to attend a scheduled audition, please inform us as soon as possible. If we can, we will try and find a new time for you. Your availability may affect casting decisions.
CONTACT: Ashleigh Haynes, Production Coordinator, by emailing ahaynes@metrotheatre.com
AUDITION NOTICE
Metro Theatre presents
The New Canadian Curling Club
Director: Chris Lam | Producer: Steve Dotto | Stage Manager: Taylor Marples
Working with Metro Theatre
Metro Theatre is a not-for-profit organization powered by a passionate community of volunteers. While our productions welcome thousands of enthusiastic audience members each season, we rely almost entirely on ticket sales and community support to bring them to life—without significant government funding.
Each show is a collaborative effort, made possible by dedicated individuals who contribute on stage, behind the scenes, and in front-of-house roles. Whether you’re looking to grow as a performer, gain experience in a professional rehearsal environment, or simply be part of something creative and rewarding, we welcome you.
We encourage submissions from performers of all backgrounds—emerging artists, theatre students, and experienced community members alike. A limited number of Canadian Actors’ Equity members may be engaged under DOT Tier Two contracts. All participants receive an honorarium in recognition of their time and talent.
By joining us, you’ll be part of a supportive, driven team creating high-quality theatre together.
Audition Details
Location: Metro Theatre, 1370 SW Marine Drive, Vancouver, BC V6P 5Z9
Audition Dates & Times:
- Sunday, August 16 – 2:00 PM to 6:00 PM
- Monday, August 17 – 6:00 PM to 10:00 PM
- Tuesday, August 18 – 6:00 PM to 10:00 PM
Callbacks: Sunday, August 23 at 2:00 PM
Auditions Held At: Metro Theatre, 1370 SW Marine Drive, Vancouver, BC
Rehearsal Schedule
Start Date: Tuesday, November 24
- Tuesday: 6:00 PM to 10:00 PM
- Wednesday: 6:00 PM to 10:00 PM
- Thursday: 6:00 PM to 10:00 PM
- Saturday: 10:00 AM to 6:00 PM
Rehearsal Location: 8960 Oak Street, Vancouver, BC
Performance Schedule
Technical Week: January 10
Opening Night: January 23
- Thursday 7:30 PM
- Friday 7:30 PM
- Saturday 2:00 PM Matinee and 7:30 PM
- Sunday 2:00 PM Matinee
Closing Night: February 13
Roles Available (5)
Casting Note
The New Canadian Curling Club is a heartwarming comedy deeply rooted in the diverse tapestry of the Canadian immigrant experience. Authentic representation is essential to the creative integrity and truth of this production. To honor the specific lived experiences, cultural backgrounds, and identities of the characters as written by the playwright, the production team is committed to casting actors who share the specific racial and cultural heritages outlined in the character breakdowns. We warmly encourage submissions from artists of all experience levels within these communities.
The Coach
- Stuart MacPhail (74): A sixth-generation Canadian of Scottish ancestry. He is the local rink’s ice maker and a former curling champion. Initially, Stuart is a stubborn, prejudiced traditionalist who isn’t happy about coaching. However, beneath his rough, off-putting exterior is a grieving father who possesses a genuine capacity to learn, change, and grow.
The Newcomers
- Charmaine Bailey (54): An energetic, no-nonsense woman who immigrated to Canada from Jamaica 27 years ago. She works at the local Tim Hortons, brings plenty of personality to the ice, and serves as a strong focal point for the group.
- Anoopjeet Singh (41): A dedicated worker who moved to Canada from India 10 years ago. He works alongside Charmaine at Tim Hortons and is actively trying to climb the corporate ladder and find a better job to support his life in Canada.
- Mike Chang (26): A young man who arrived from China three and a half years ago. He provides a lot of the play’s comedic tension because he is actually dating Stuart’s granddaughter, Katie. Because of this connection, the group nominates him to deal with Stuart’s prickly attitude.
- Fatima Al-Sayed (17): The newest Canadian of the group, having arrived from Syria only two months prior to the play. Despite being a teenager navigating a massive culture shock, she is deeply focused on trying to get her brother safely resettled in Canada.
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Audition Requirements
- To Apply: Complete the online form at the link below.
https://app.ghostlight.tech/audition/new-canadian-curling-club
- A professional headshot is not required; a clear recent photo is acceptable.
- Submitting does not guarantee an audition. You will be notified if invited to book a slot.
- Audition sides will be provided in your acceptance email.
Application Deadline: Friday Aug 14 at 5:00 PM
Additional Information
- Inclusion: We encourage submissions from artists of all backgrounds. We cast based on who is best for the role while valuing diverse perspectives.
- Accessibility: Please note that audition, rehearsal, and performance spaces are not currently accessible.
- Format: In-person auditions only. Video submissions are not being accepted at this time.
- Callbacks: Please inform us in advance if you cannot attend the scheduled callback date.